Moving into Motion

Happy Valentine's Day

As we dip our toes into images that move, one big, bold thing remains the same…we seek the uniqueness in each of our subjects.

This gal impressed us during an audition we held in our studio.  Her energy, enthusiasm and clear desire for “Fashion Diva-ness” inspired us to design this shoot around her.

Our own transition from seeing in still images toward seeing in motion is beginning to take shape.  And we are thrilled by the opportunities.

Hope you enjoy our take on a bit of holiday cheer!

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Read more.. Thursday, February 9th, 2012

You’re Welcome

It’s always so meaningful to receive a thank-you note…especially when it’s
1) handwritten
2) for what was essentially a professional experiment.

Here’s what our first ever video client had to say about working with us:

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Read more.. Wednesday, January 18th, 2012

Our First Video

-by Jules

What a way to ring in the New Year…a new project…in new media…it’s motion alright!  Shot in a part day in our studio, edited on another day. See the description below for more info.

Carol Engler/ Originator, Empathic Education from George C. Anderson on Vimeo.

George C. Anderson and Julie Schirmer take their years of enthusiasm and experience creating memorable still photography and step into video production with their first client-sponsored project, shot in George’s studio with sound captured by Jay Alton. Helping Carol convey her passion for Empathic Education, George and Julie consulted on script-writing, studio set, lighting, wardrobe/hair/makeup and of course, on-camera direction, to portray Carol as the authentic person she is: professional, informed and approachable. In support of Carol’s message, George and Julie licensed music from stockmusic.net and also selected and sequenced stock images from Shutterstock. They offered creative direction working with freelance video editor Eric Ringquist to finalize their collective vision.

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Read more.. Wednesday, January 4th, 2012

Say Yes (and See What Unfolds)

- by Jules

You never know when lightening will strike. Or opportunity. Thankfully, opportunity has struck me more than lightening.

So it really came as no surprise when, in February 2011, I was hi-jacked by my friend Ruth Milligan in the parking lot of our kids’ daycare center…

“Hey, Jules- got 30 seconds?” she called from her car window.

And the rest is…art and opportunity, collaboration and community all combined into what turned out to be an exciting little package.

You see, Ruth had just attended the TED conference in California and had witnessed an idea there. The artist JR, who received the 2011 TED prize, was looking to involve other communities in his concept. Ruth wanted to roll it out locally, and as co-chair of TEDx Columbus, she had a vision of how we could interpret this idea in our own town.

But she needed help. Through the car window I heard…”Would you be able to help me coordinate some photographers to put this thing together?”

“Yes!” I said, agreeing immediately. I knew Geo would join in wholeheartedly and that between the two of us, we’d be able to round up other willing photographers.

Geo and I made some phone calls to our friends in the Columbus ASMP (American Society of Media Photographers). Each person we contacted, who could fit us into their schedule, said “Yes.” They all participated with incredibly generous heart and spirit.

(L-R) asst. Jon Iddings, Stephen Webster, Julie Schirmer, Tom Dubanowich (front row), Ray LaVoie, George C. Anderson, Larry Hamill, asst. Stephen Newport (front row) and Mike Foley not pictured: assts. David Allison, Brian Cole

That’s how we found ourselves, 6 months after my parking lot conversation, on Saturday, September 17th at COSI shooting side by side with Tom Dubanowich, Mike Foley, Larry Hamill,Ray LaVoie and Steven Webster. Working within the guidelines of JR’s Inside Out project, each photographer provided their own white background, lighting and cameras. We photographed volunteers from the general public and also from the Harmony Project. All in all, almost 100 faces were captured that day in about 2 hours. The photographers edited their work after the shoot on site and selected their favorite images for inclusion in our group project.

Samples from Columbus Inside Out photo project

Later, Geo uploaded the photos to JR’s site and 3′x5′ prints were returned. The prints were then hung by Adam Brouillette of Wonderland in various sites within Franklinton, on the near west side of Columbus, an area of town which is being gentrified with a particular focus on the arts.  Other prints were installed for public viewing outside COSI.

© 2011 Adam Brouillette

© 2011 Adam Brouillette

© 2011 Adam Brouillette

© 2011 Adam Brouillette

Then, in culmination, our Inside Out effort was highlighted at TEDx Columbus on 11/11/11. Ruth’s wish had come to fruition and Geo was privileged to be invited on stage to help explain the project to the live audience.

On stage at TEDx Columbus

2011 TEDxColumbus

George explains Columbus' Inside Out project

It was very satisfying to organize and work alongside other photographers- as colleagues more than competitors.  You could just feel the synergy on the shoot. Both Geo and I were very proud to be part of this group. We had a wonderful, invigorating day with our fellow photographers and were thrilled to meet so many great Columbus citizens who, as subjects said “yes” and were willing to be part of this global art initiative.

We really are part of the greater whole, not just globally but also locally, within our own industry.

But you have to say “yes” first.

Thanks, Ruth, for asking!

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Read more.. Tuesday, November 22nd, 2011

Plus ça change, plus c’est la même chose!

Time to Say Good-Bye

Today turns over a new leaf. Much of the gear that fueled our business for many of the past years has been sold. It’s perfectly fine equipment and very serviceable. But it’s no longer of use to us, made obsolete by faster, sharper, cheaper and less fussy equipment.

Gone are the days when placing a Hasselblad on your tripod meant instant status. The images produced by the Zeiss glass and larger format did the trick back in the film era and early days of the digital revolution.  And while those cameras and lenses were beastly expensive to buy, they were workhorses that functioned perfectly with very rare exception. And when things would occasionally break, they were imminently repairable. And they didn’t need software upgrades every year or so.

Tens of thousands of dollars were poured into acquiring the pile of gear you see in the photo. We could count on the longevity and quality of the investment to come back to us without fail. Much of what you see here has been useful and been put to work for 15 years or more, in some cases. The gear held its value for years after its purchase.

It is, however, time to say good-bye. For my whole professional life, up to this point, I shot with Hasselblad gear. I had used Horseman 4×5 and Nikon, but my first choice tended to be the Hasselblad.  Now the only thing left in our studio emblazoned with that fabulous Hasselblad logo is a cinch-top lens bag…perfect, for carrying something other than a ‘Blad lens.

Today, there are many new pieces of gear we own. And what they are capable of doing is almost magical.

But when you put them on the tripod, they just don’t have that Ooh-Aah-Hasselblad wow factor!  No worries, it’s really always been about the image-wow-factor anyhow.  And the new tools we have just make that easier to create.

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Read more.. Wednesday, October 19th, 2011

Take Pictures, Make History

-by Jules

Jules’ parents during their dating days in the late 1940’s

Both Geo and I have been busy the past few weeks, and it struck me that while what we were doing wasn’t always strictly business, it has all been photographically-based and important in many other ways too.

Those of us who find photography to be a way of life may forget that it hasn’t always been like that for everyone.  Cameras used to be expensive and took some level of technical expertise to operate them successfully.  For many years, not everyone had a camera nor easy access to photographs.

While most everyone nowadays has a camera, or very high quality image-capturing devices in their mobile phones, not everyone considers how to make great images, views the making of a photograph as important, nor necessarily has the patience to deal with the back-end of the digital process.  So much time and hard-drive space gets eaten up just by managing the photos we go along snapping blithely.  Oh, how I long for Foto-Mat kiosks…there was such ease in simply dropping your film off and returning to find neat prints in a little envelope.

Of course, that’s not to say we don’t love and embrace the new technologies and all that they enable.

I just spent a glorious weekend with family and friends celebrating my parents’ 60th wedding anniversary.  The photo above depicts them during their dating days back in the ’40s.  Upon my request, my mom supplied me a heap of snapshots from their last 70 years.  I scanned the ones I chose and added others from my digital collection.  I also  had some video footage which I had converted from mini-DVs to a QuickTime format on DVD.

Working with Crit Warren, we assembled a retrospective movie through iMovie, Final Cut Pro and After Effects.  It documented and honored my parents’ life together since the days in the photo above.  We then projected the movie from our laptop and enjoyed it with nearly 50 of their friends during a celebration this past weekend.

Photos are history.  Let us not forget their significance.  It is no different now than it was except more people own the tools and images can be shared more easily.

All of the moments in my folks’ lives-when someone pointed a camera and went “click”- coalesced to create a historical record.  Crit and I knit them together so we could share their story.  What a pleasure.

Camper, Flying Horse Farms, 2011

Geo has been making a contribution in some special families’ lives as well.  He recently volunteered to photograph campers at the Flying Horse Farm in Mt. Gilead, Ohio for the group Flashes of Hope.  The children at the camp have life-threatening or chronic illnesses.  Their attendance  is meant to offer them the opportunity to have a normal camp experience, with consideration towards their particular health needs.

He has also worked with Flashes of Hope to capture portraits of kids at Nationwide Childrens’ Hospital.

Flashes of Hope exists to provide families with photos of their ailing children.  Taking photos isn’t always convenient nor top of mind when issues of life and death can be on the line.

But when someone does go “click”, you can bet that later, the photo will be appreciated.

Remember, no matter what tool you have at your disposal, a big fancy multi-megapixel DSLR or a camera-phone, when you use it, those photos have the potential to tell the story of that moment.  While it’s easier now, photography is no less important as a record of our times.

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Read more.. Wednesday, October 5th, 2011

Public Art and Creating Community

-by Geo

This past weekend, an event called “Art al Fresco” happened in Columbus, Ohio. Artists made spontaneous art in public places, starting conversations and evoking responses from people passing by. I was proud to be a small part of this, when 3 B&W photos from my “About Face: The Art of Being Human” series were chosen for display.

Additionally, these photos are “teasers” for another upcoming community building art effort, the “Columbus: Inside Out Project.”  It will be a group endeavor as part of the worldwide initiative known as “Inside Out.”  Inspired by the artist/photographer JR, winner of the 2011 TED prize, who said “I wish for you to stand up for what you care about by participating in a global art project, and together we’ll turn the world…INSIDE OUT.” Six other Columbus-based photographers and I will be capturing portraits of local volunteers from all walks of life this Saturday 9/17/2011 at COSI from 10am until 12pm.  The resulting prints will be posted around town in public places. The hope is to create a feeling of community through the display of these portraits in areas accessible to all.

More info about the Columbus:  Inside Out Project at http://tedxcolumbus.com/2011/09/inside-out/

More info about JR’s global Inside Out Project at http://www.tedprize.org/jr-2011-ted-prize-winner/

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Read more.. Wednesday, September 14th, 2011

Feeling What You See

-by Jules

Summer is a great time to capture evocative images. Everyone can relate to the sweet simplicity summertime brings to mind.  School’s out, days are long, temperatures are pleasant.  The livin’ is easy!

It doesn’t get much simpler than fun times in the sprinkler.  Just ask this boy.  Hopefully you won’t have to, maybe the picture tells it all.

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Read more.. Tuesday, July 12th, 2011

If Account Execs are Antiquated, What are Photographers?

-by Jules

©2011 Julie Schirmer

recent article in the New York Times advertising section reports a new nomenclature in the ad agency and PR firm setting.  Of course, reorganization and renaming are nothing new to our industry. But some of the monickers that we’ve come to know, love and understand are being replaced with more current, relevant titles. Here’s a primer so we might recognize who we’re working with.

Out with the Old, In with the New!

Out: Account Executive, In: Strategist
Out: Account Supervisor, In: Catalyst
Out: Designer and/or Writer, In: Creator
Out: Vice President, In: Executive Director

GolinHarris, a PR firm with 700 employees and owned by Interpublic Group of Companies, is formalizing this shift as of this week. They say it is in response to changing consumer behaviors “most notably the public’s fast and fierce embrace of digital and social media.” Apparently, new hires had the skills to be useful, productive team members, but the old job title system just didn’t seem to fit the bill anymore.

No mention of a new title for Photographer. Any ideas?

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Read more.. Thursday, June 16th, 2011

Thinking Outside the “Box” and Around the Circle

We’ve all heard the phrase “Thinking Outside the Box” so much that it’s become a cliché. I was surprised to find the college students in my photo class didn’t know the brain teasing puzzle that started this concept. Follow this link to learn more about the puzzle. But I want to go a bit further.

A very astute and engaged designer friend, Crit Warren, has spoken about producing work that fits an audience’s “Circle of Understanding”.

The Circle Of Understanding

The Circle of Understanding

The dot inside the circle represents a common group knowledge; everyone in the group “gets” what’s in the dot. The circle represents the outer limit of understanding of that particular group. Our messages need to fit the group and their knowledge.

For instance, if we need to show how to operate a fire extinguisher, our message and visuals had better be in the dot for everyone. When I talk to my photo students about photo styles and techniques, I will assume they have a larger circle of understanding.

Crit had said, and I agree, that good advertising should be right along the edges of the circle for your given audience. Make your viewers think a bit, and they will be engaged. No one likes boring.

Each audience is unique. We all have our own levels of vocabulary, and our visual vocabulary is no different. The internet and smart devices have enabled anyone with the resources to access a huge volume of imagery and data, expanding our limits of understanding. We can be edgy and still engage our audiences. As our viewers become more visually sophisticated, our opportunities as photographers just get more exciting.

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Read more.. Wednesday, June 8th, 2011